Marriage A-La-Mode: 1, The Marriage Settlement
Dublin Core
Title
Marriage A-La-Mode: 1, The Marriage Settlement
Subject
Digital Exhibits
Description
In this first painting of Hogarth's Marriage A-La-Mode satirical series, Hogarth critiques the transactional nature of aristocratic marriage through dense layers of symbolism. The figures are positioned like chess pieces in a business deal to expose the moral hollowness beneath wealth and title. This is a painting that includes several people. The painting is dark, and the tone is melancholy. There is a bride and groom, with several people talking and engaging with them. The bride looks dismal while the groom is preoccupied with his reflection, disregarding her. There is a man in the foreground with his shoe off and a lawyer speaking into the bride’s ear.
Creator
William Hogarth
Source
The National Gallery, London
Date
Circa 1743
Contributor
Kennesaw State University, Magdaline Marks
Rights
Public Domian
Relation
Marriage A-La-Mode 2-6
Format
Dimensions
69.9 × 90.8 cm
69.9 × 90.8 cm
Language
English
Type
Physical Object
Identifier
Inventory number
NG113
NG113
Coverage
Europe 18th Century
Physical Object Item Type Metadata
Physical Dimensions
Dimensions
69.9 × 90.8 cm
69.9 × 90.8 cm
Materials
Oil on Canvas
Original Format
Painting
Geolocation
Citation
William Hogarth, “Marriage A-La-Mode: 1, The Marriage Settlement,” Digital Histories, accessed May 10, 2025, https://digitalhistories.kennesaw.edu/items/show/284.