The Beggar's Opera
Dublin Core
Title
The Beggar's Opera
Subject
Digital Exhibits
Description
John Gay's The Beggar's Opera uses caricature and parody to mock the corruption of both the upper class and the criminal underworld. Instead of noble heroes or virtuous leaders, Gay presents a world where thieves and politicians are barely distinguishable. The result is a comedic yet biting critique of class hypocrisy, performed through exaggerated behavior, role reversal, and familiar tunes reworked for political effect. This is a published art piece that satirizes aristocratic individuals who enjoy the opera. It is an aged piece of paper with a stage and theater etched onto it. There are people dressed in aristocratic clothing on the stage as well as in the audience. A cherub angel is flying above the stage that is holding a banner that reads, “et cantare pares et respondere paratce Harmony.” Which roughly translates to “and sing in harmony and respond with prepared harmony.”
Creator
John Gay
Source
Britten Pears Arts
Publisher
Dover Brooks
Date
January 28, 1728
Contributor
Kennesaw State University, Magdaline Marks
Rights
Public Domain
Format
Ballad Opera
Language
English
Type
Text
Coverage
Europe 18th Century
Text Item Type Metadata
Original Format
Ballad Opera, text on paper
Geolocation
Citation
John Gay, “The Beggar's Opera,” Digital Histories, accessed May 10, 2025, https://digitalhistories.kennesaw.edu/items/show/285.