The Beggar's Opera

The_Beggars_Opera_MET_DP825186.jpg

Dublin Core

Title

The Beggar's Opera

Subject

Digital Exhibits

Description

John Gay's The Beggar's Opera uses caricature and parody to mock the corruption of both the upper class and the criminal underworld. Instead of noble heroes or virtuous leaders, Gay presents a world where thieves and politicians are barely distinguishable. The result is a comedic yet biting critique of class hypocrisy, performed through exaggerated behavior, role reversal, and familiar tunes reworked for political effect. This is a published art piece that satirizes aristocratic individuals who enjoy the opera. It is an aged piece of paper with a stage and theater etched onto it. There are people dressed in aristocratic clothing on the stage as well as in the audience. A cherub angel is flying above the stage that is holding a banner that reads, “et cantare pares et respondere paratce Harmony.” Which roughly translates to “and sing in harmony and respond with prepared harmony.”

Creator

John Gay

Source

Britten Pears Arts

Publisher

Dover Brooks

Date

January 28, 1728

Contributor

Kennesaw State University, Magdaline Marks

Rights

Public Domain

Format

Ballad Opera

Language

English

Type

Text

Coverage

Europe 18th Century

Text Item Type Metadata

Original Format

Ballad Opera, text on paper

Geolocation

Citation

John Gay, “The Beggar's Opera,” Digital Histories, accessed May 10, 2025, https://digitalhistories.kennesaw.edu/items/show/285.